Facing unemployment from his record store job, divorce and his 20 year high school reunion, a listless former 90's 'one hit wonder' is given a unique second chance when he agrees to produce and record the debut album of an up and coming Internet sensation.

Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.

Martin Brandt (1903-1989), an unforgettable Jewish actor and former member of the Jewish Kulturbund Theater in Berlin, recites from Macbeth and Nathan the Wise, the play that opened the theater in October 1933. These last filmic images of Brandt are combined with historic footage and traces of the Jewish past in Berlin.

In 2013 Addai joins a salafistic group in Syria. The encounter of Addai's mother with Ilias, a homecomer from Syria, gives rise to invidual fragments, by means of which the story of the son and comrade can be traced.

A young Englishman obsessed with Cowboys and becoming a Country and Western singer travels down to Mexico in search of his missing girlfriend during the festival of The Day Of The Dead.

The collapse of a department store disturbs a local community, causing strife for some, and bringing some people closer than ever before.

Ju Yeong is a woman who longs for her ex-boyfriend but doesn't want to accept it. As she ends a short-term relationship with a very obsessive co-worker, her ex-boyfriend suddenly shows up as a new hire that she has to train. However, as rumors spread about her troubled relationship with the two co-workers, she finally realizes it was all her shortcomings that made it this way.

Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.

Full of tenderness and love, Selma and Nori look forward to their first child together and a future as a family. But one morning, Nori finds himself confused and injured in the park, with no memory of the last few hours. The mysterious circumstances surrounding his amnesia and a miscarriage put their relationship to the test.